From the award-winning author-illustrator duo of Barnes and James (Crown, 2017), this is a powerful celebration of Black boyhood, countering many of the negative messages that a racist society puts forth about African American boys. Here they are adventurous, polite, inquisitive, playful, creative, artistic, athletic, brave, and worthy. They are also loving, vulnerable, and reliable. The text has a cadence that demands to be read out loud, performed, sung, or shouted with joy and veracity. James' illustrations provide vibrant visualizations of the words, rich in color and movement. Boys' brown faces radiate light, love, and the joyfulness of childhood so that readers can't help but smile along as they read, "I am good to the core, like the center of a cinnamon roll. Yeah, that good." Despite this being intended for young readers, it would do no harm if it found its way into teenage hands as well, especially those already wounded by some of the predominant views of Black masculinity. Can be paired with I Am Loved (2018), by Nikki Giovanni. The need for a book like this, at a moment like this, could not be greater.

Barnes and James reunite, after the multi-award-winning success of Crown (rev. 11/17), for this beautiful and necessary book that affirms Black boys and their right to thrive. James's vibrant oil-paint illustrations harmoniously depict Black boys in motion, in contemplation, and in full vitality as they skateboard, swim, or stand contemplatively in the outdoors. Barnes's refrain throughout the book of "I am" ("I am a roaring flame of creativity. / I am a lightning round of questions, and / a star-filled sky of solutions") is a powerful, present-tense reminder that normalizes the robust lives Black boys deserve to live, in stark contrast to the dedication page, which lists a number of murdered Black men and boys, many of whom were denied their own boyhoods. I Am Every Good Thing lets Black boys know they are loved and valued just as they are, with unlimited possibilities. Movingly, one boy affirms for himself and for the reader, "I am not what they might call me, / and I will not answer to any name that is not my own." Fortunately, Barnes and James provide us with a range of powerful, positive names to call Black boys as they urge us to see them, to love them, and to let them live their lives as they deserve. Kim Parker September/October 2020 p.55(c) Copyright 2020. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

With a refrain that reads "I am," the creators of the award--winning Crown: An Ode to the Fresh Cut craft an empowering ode to Black boy joy. In metaphor-driven verse, Barnes moves from the interpersonally specific ("I am that smile forming on your face") to the iconic ("I am a grand slam,/ bases fully loaded"), and from the naturalistic ("I am waves crashing gently on the shore") to the historical ("I am my ancestors' wildest dream"). Employing rich textures and jewel tones in his fine art style, James paints Black boys of varying skin tones and ages engaging in work and play, solo and in community: flying through the air in a cape, getting back up after a skateboard tumble, working with a microscope, and assisting a grandmother crossing the street. A line of uncertainty interrupts the litany, offering a somber moment: "Although I am something like a superhero,/ every now and then,/ I am afraid." But the text quickly moves on, speaking to Black boys' deservingness "of success,/ of respect, of safety, of kindness, of happiness." Together, James's energetic portraiture and Barnes's affirming text powerfully and ecstatically convey the idea that all Black boys are "worthy/ to be loved." Ages 3--7. (Sept.)

A much-needed book for Black children when society demonstrates otherwise. The Kirkus Prize--, Coretta Scott King Honor--, Newbery Honor--, and Caldecott Honor--winning team behind Crown: An Ode to the Fresh Cut (2017) return for another celebration of Black excellence. In a text brimming with imagination and Black-boy joy, Barnes lays the foundation for young Black readers to go forth into the world filled with confidence and self-assurance: "I am brave. I am hope. / I am my ancestors' wildest dream. / I am worthy of success, / of respect, of safety, of kindness, of happiness." Simultaneously, he opens a window for non-Black readers to see Black boys' humanity. They have dreams, feel pain, are polite and respectful--the list of qualities goes on. Barnes also decides to address what is waiting for them as they experience the world. "I am not what they might call me." With this forceful statement, he provides a tool for building Black resilience, reassuring young Black readers that they are not those names. James supplies his customarily painterly art, his brushy oils painting Black boys of every shade of brown playing, celebrating, achieving, aspiring, and loving. Through every stroke readers will see that Black boys are "worthy / to be loved." (This book was reviewed digitally with 11-by-17-inch double-page spreads viewed at 35% of actual size.) The title says it all: Black boys are "every good thing." (Picture book. 4-8) Copyright (c) Kirkus Reviews, used with permission.