PreS-Gr 3--Simple text and beautiful illustrations pack a strong emotional punch in this picture book. Based on the author's own memories of being the child of Chinese immigrants in Ohio, the story follows a young girl who is in the car with her family. They spot watercress growing in a ditch and stop to collect it for their dinner later. The girl refuses to eat it, embarrassed of how they got their food, as well as their used furniture and clothes, believing that "Free is bad." Her parents don't understand her humiliation as she doesn't understand their excitement over the meal. Words are used sparingly; the illustrations complete all that is left unsaid. The most poignant spread is when the girl's mother tells them about their uncle and how there was never enough to eat. On one page, her little brother holds up his empty bowl; on the next, his seat is empty. Readers of various ages will want to discuss the layers of miscommunication between cultures and between generations, and how to be more mindful of others' experiences. But the work is far more than a lesson. A tightly woven piece of story and watercolor art is exemplified in one spread, where the the cornfields of Ohio become the famine-stricken land of China. VERDICT A powerful story sure to awaken empathy and curiosity: Who else left behind a homeland, and at what cost?--Elissa Cooper, Helen Plum Memorial Lib., Lombard, IL

Transcending space and time, memories bring a Chinese American family together. A girl in cutoffs and a T-shirt is embarrassed when her parents stop the car to pick wild watercress growing by the side of the road; she doesn't understand why her family has to be so different from everyone else. At dinner, she refuses to even taste the watercress. But when her mother shares the story of her family's difficult past in China, the girl learns to view the food on her table with new appreciation and understanding. Together, the girl and her family make "a new memory of watercress," ending the story on an optimistic note. Chin's expressive watercolors create their own narratives to complement the different layers of Wang's story. On one double-page spread, the illustration delivers devastating information only implied by the text. Another spread visually connects the family's present and past: as readers' eyes move from left to right across the gutter, they experience two completely different spaces and times -- cornstalk morphs into bamboo, and the scene changes from Ohio to China, present to past. Chin's smooth visual transition cleverly disturbs and dissolves the barrier created by the gutter and bridges the two worlds. Inspired by Wang's own memories as the child of Chinese immigrants (as revealed in the closing author's note), this quietly affecting book encourages honesty, communication, and sharing of family history. Weileen Wang March/April 2021 p.76(c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

A Chinese American family pulls their car over to gather wild watercress growing by the roadside. As the family sheds their shoes and rolls up their pants to wade into the gully, the narrator of Wang's poignant free-verse text is anything but happy. Mud squelching between toes, holding a soggy brown bag full of what looks like weeds, the preteen ducks down as a car passes lest their family is recognized. But for Mom and Dad, the moment is emotional. In one exceptional double-page spread Chin paints the faded red 1960s-era car parked on the left, with cornstalks bordering the road transforming into bamboo stalks and a soft-focus sepia-toned image of rural China on the right. "From the depths of the trunk / they unearth / a brown paper bag, / rusty scissors, // and a longing for China," reads the text. In another, Mom and Dad praise the watercress for being both fresh and free, but to the next generation, "free is / hand-me-down clothes and / roadside trash-heap furniture and / now, / dinner from a ditch." It isn't until Mom finally shares the story of her family in China that her child understands the importance of this simple dish of greens, this "delicate and slightly bitter" watercress. Wang's moving poetry paired with--and precisely laid out on--Chin's masterfully detailed illustrations capture both an authentic Midwestern American landscape and a very Chinese American family, together infusing a single event with multiple layers laden with emotion, memory, and significance. Understated, deep, and heart-rending--bring tissues. (author's note, illustrator's note) (Picture book. 5-10) Copyright (c) Kirkus Reviews, used with permission.

Here author Wang tells the tale of a young Midwestern girl who struggles to accept herself and her Chinese immigrant parents--and it all comes to a head over some roadside vegetation. During a family drive, the parents decide to pull over and gather watercress that's growing in a ditch. The daughter is so ashamed of the impromptu harvest, she won't even eat the watercress when it's served up for dinner, leading her mother to tell the heartbreaking history of how she lived through the famine in China and food shortages that took the life of her younger brother. Knowing this, the daughter sees the wild watercress with new meaning, and she wants to eat it and make new memories with her family. The story reveals the chasms that can separate first-generation immigrant parents from their Americanized children and how confronting past traumas from another country and time can bring a family closer together. Chin's illustrations masterfully bring to life the vast cornfields and colors of rural America.

This multilayered autobiographical narrative illuminates Wang's experience as a child of Chinese immigrants in Ohio. In spare, elegant free verse, Wang (Magic Ramen) recalls a car ride interrupted when her parents notice watercress in a roadside ditch. "From the depths of the trunk,/ they unearth/ a brown paper bag,/ rusty scissors," a verso page reads as the parents rummage through their old red Pontiac. Cornstalks transition to bamboo across the page's gutter as the phrase finishes, "and a longing for/ China" alongside a sepia-washed scene of two children in a Chinese village. Though her older brother readily picks, and subsequently eats, the watercress, the narrator is resistant--until her mother shares an affecting childhood memory that results in a deeper understanding of her family and making "a/ new memory of/ watercress." Caldecott Honoree Chin (Grand Canyon) employs muted washes of watercolor, using both Chinese and Western brushes to convey moments of memory and heritage. An adept gem of a picture book, encompassing both universal intergenerational embarrassment and a specific diasporic shift in cultural perception. Back matter includes author's and illustrator's notes. Ages 4--8. Author's agent: Erin Murphy, Erin Murphy Literary. Illustrator's agent: Stephen Sheppard, CDAS. (Mar.)